Let her transport you back to the turn of the 20th century, to a time when this country had politicians of stature and conscience, when the public believed that government could right great wrongs, when, before truncated attention spans, a 50,000-word expose of corruption could sell out magazines and galvanize a reluctant Congress.Let her transport you back, in other words, to the romance and honesty of a bygone time. Is this much different from the Lost Causer raving about the romance and honor of the world in Gone With the Wind?
I haven't read The Bully Pulpit, but I'm a fan of Team of Rivals, DKG's last history, a joint biography of Lincoln and his most prominent cabinet members. Part of what makes DKG such a compelling historian is her skill as a writer. She's expert at synthesizing the disparate documents of a historical record into a story that appeals to a modern reader in the same way a good novel might*. But Keller has been seduced by DKG's story into losing the long view of history. He seems to believe that the past, vividly rendered by DKG's, is somehow more important--more real--than the present. Keller has fallen into this trap, probably, because he's unsatisfied with the "grubby spectacle" of his own world**.
Much of the pleasure of this book--besides recalling for us that once, leaders stood tall, our government didn't seem to be in a state of constant stalemate and journalism got results--is the re-creation of a day when life moved at a statelier pace.There's a lot of unexamined nostalgia in that sentence. Almost everyone thinks Teddy Roosevelt was a great President (anti-imperalists aside), but what about Taft, about whom even Keller writes "his single-term presidency is generally counted a failure." The phrase about journalism getting "results" sounds like the assessment of a jaded journalist. And the last clause, referencing the pleasure of reading about the "statelier pace" of life, is absurd***, ignoring all the quantifiable improvements technology has made in almost every aspect of life for all Americans (not to mention the problematic nature of fetishizing the turn of the 20th century while ignoring the political, social, and economic gains made by women, African Americans, and most other marginalized minority groups since then). It's strange that such a regressive statement could be made in the context of this review, focused on the the lives of two major progressives who worked to use the "bully pulpit" to improve the lives of the poor.
I doubt that DKG is guilty of the historical romanticism that infects Keller's review of her work. I'm sure the depth of the historical America she builds, the vitality of the characters she revives, and the quality of her research are excellent. I look forward the reading the book. But Keller's review points to the trouble that even the best works of history run into: readers eager to bend history to suit some entrenched vision of the past.
*I don't believe it's strange, or wrong, to compare a history to fiction. Both can be graded as stories. Some novels, like some histories, fail to hold readers' attentions. But for a history, the story is not all. The storytelling aspect of history is (should be?) inseparable from a history's ability to justify its synthetic view of historical documents.
**This is not a problem unique to history. Remember this reaction to the film Avatar?
***At least baby boomers longing for the "simpler" 1950s lived through that decade as children.