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Laying in the background of the novel is something of a paean for cultural relativism--for example: Earth goes from predominantly straight and anti-gay, to predominantly straight but gay friendly, to predominantly gay but straight friendly, to predominantly gay and anti-straight, to a place where gay and straight have no meaning. The world gets better, or gets worse, but whether it gets better or gets worse has little to do with culture. It has everything to do with politics, and with the war.
I couldn't help but think of Halo 4 as I read. The novel is something of a repudiation of everything Halo 4 stands for, several decades before Halo even existed. In Halo, intergalactic warriors fight senselessly, and its good--fun, even. In The Forever War, intergalactic warriors fight senselessly, and its terrible, psychologically destructive, and hopelessly stupid. Moreover, the novel continually reveals its violence as senseless, because its senselessness is so overwhelmingly obvious.
At the Mouth of the River of Bees by Kij Johnson. I didn't like all of the stories in this collection, but the ones I liked, I loved. I loved "The Man Who Bridged the Mist", I loved "The Horse Raiders", I loved "Spar." "Ponies" reads like a good George Saunders story, with its compound words and brutalizing truthfulness, and I loved it, too.
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